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Friday July 30th 2010

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MP3: “When I Close My Eyes and Dream” by Sky

Sky - The Twins

Sky was born to be a musician. At the age of fifteen, he was a drummer in a three-piece rock band. But a chance meeting with New Age musician, Deuter, inspired Sky to try a new type of music. He was inspired to create this soft, new age sound – the music meditative and calm.

Sky’s debut album, “Dreams” was released in 1988. He began touring the United States and Canada in 1994. All the while, he continued to create new music, releasing his sixth studio album in 1999.

Now residing in Santa Fe, New Mexico, Sky continues to pursue his musical dream. This multi-talented musician plays the bouzouki, piano, classical guitar, synthesizer and flutes. Beautiful music, drawn from the many facets of music that inspired him.

Hometown: Ahlen (Westfalia), Germany
Homepage: Sky
Download MP3: When I Close My Eyes and Dream
Buy Album: The Twins

Similar Artists: Clannad, Pentangle, Rennaisance

Spanish Celts

From the Celtic History Newsletter:

People usually don’t think of Spain when they think of Celts, but other than Gaul it is the only other place where the use of the term “Celt” is documented in antiquity in the form of names such as “Celtius” and tribal names such as “Celti Praestamarici.” Celts seem to have been just one of many peoples who lived in the Iberian Peninsula at the time. They seem to have been concentrated in North central Spain by the 2nd century B.C., but place names in the west and north suggest their influence covered a wide range. Linguistic and inscriptions have provided evidence to confirm the claim of Herodotus that Celts were living in Spain as early as the 5th century B.C.

However Spanish Celts do not seem to have shared some of the artistic motifs of other Celtic areas. Evidence of La Tene influence art does appear in some of the metal work, but seems less common, and even less so in other artifacts. Some scholars take this to suggest that the Celts who made their home in Spain must have arrived earlier than the 5th Century B.C. otherwise they would have carried with them many more influences from the late Hallstatt, or early La Tene styles that were already common in central Europe by that time. Some suggest they may have arrived as early as the late Bronze Age, and therefore had become much more integrated with the surrounding cultures, which could explain why except for their language they seem to have been less “Celtic-like” than their cousins in Gaul.

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For a little humor this month, I recently ran across a spoof website making fun of conspiracy theories which includes a page on the “Irish Potato Famine Hoax?” written by someone calling himself The Mad Revisionist.

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If you enjoy our newsletter, please support it by visiting out our online stores, or seek us out at the events listed on our websites. The Celtic Croft & MacGregor Historic Games

And if you like Irish music, check out the Marc Gunn’s CD Happy Songs of Death, or Victims of Irish Music.

Review: “Rivers, Kings and Curses” by David Nigel Lloyd

Artist: David Nigel Lloyd
Album: Rivers, Kings and Curses

The pen is mightier than the sword.  This sentence from a 19th century play permeates popular culture to the very date of this review.  I’ll take it a step further to note that the power of song poetry penned by David Nigel Lloyd holds the ear far longer than the eye can admire any digitized air-cut Z in a Mexican hacienda wall.  Just listen to “My Rage At Another Who Silenced Me” for an entertainingly Chaucerian burn.

In addition to curses, Lloyd reflects on ‘the Thames, the Columbia, the Kern and the River of Blood’ as well as ‘the King of the Deep Dark Well, King Jack O’Lantern, Charles Stuart, King Jesus and any number of characters who act like kings’ with this collection of 15 tracks.  A treat for those who enjoy story and verse, this album is narrated in modernized vernacular by a man with the soul of a troubadour.  Lloyd refers to himself as ‘Celtic Baladeer, Song Poet, Tale Spinner, Fine Guitarist, Fool and Scholar’ in the adapted style of non-traditional traditionalism.  His self-titled “DNL Calling is catchy sculpted wit in Celtic Bob-Dylanesque shades of Simon and Garfunkel.

Fittingly heavy in fiddle with gifts of imagery, “The Son of Old Rosin the Bow” is a combined tribute to those lost in 9/11 and Drummer Patrick Michael Meehan’s father.  Though most of the lyrics are original Lloyd works, there are occasions where this songsmith remixes an infusion of himself into Trad ballads like “The Three Sisters and The King of the Deep Dark Well/The Just Desert”.  DNL even makes his voice heard in the instrumental “Disputed Territory” through his guitar and mandolin accompanied by Dave Ogden’s Irish flute and bodhrán.  The vocal and/or instrumental talents of Jill Egland, Jeff Basile Pekarek, Robin Williamson and Nat Dove and many others are featured throughout the collection.

This body of work flows from depths to eddies of  the masculine nature of humanity, courtly love, friendship and fable.  There are hidden meanings, creative processes and historical ties to explore in the downloadable lyric sheet, which I highly recommend to every listener who appreciates the artistry of a true poet.

Dionne Charlet is a freelance writer based in Greater New Orleans. She is a contributing writer for Where Y’at Magazine and reviews music for Marc Gunn’s Celtic MP3s Music Magazine.  Dionne runs the Cast Aways Open Theatre Troupe and performs with her fellow Cast Aways volunteers at Ren faires, sci-fi cons, charity venues and festivals throughout the Gulf Coast and beyond.  Mrs. Charlet also works as an Outreach Coordinator for the Humane Society of Louisiana.  You can contact Dionne at SHIATARA@AOL.com.

Review: “Strange Sweethearts in America” by James Shipp’s Nós Novo

Artist: James Shipp’s Nos Novo
Album: Strange Sweethearts in America

Think experimental, jazz and Celtic all thrown together and stirred up and you’ll have a peek into what ”Strange Sweethearts In America” is all about. James Shipp is a vibraphonist, composer and percussionist and he performs here with Nos Novo, a quartet. The name “Nos Novo” means “new way”, and it certainly describes the CD well. It blazes trails.

You won’t hear traditional fare here. This is for those who like to stretch the envelope and see what the limits are. The group doesn’t go so far out there that the music is un-listenable however. The beauty of the album is that it is listenable–just full of surprises and unexpected twists and turns. Singer Jo Lawry’s voice is haunting, intersting and beautiful, and the song, ”In My Head” is an amazing showcase for it. She adds a nuance to the CD that truly sets it apart, and indeed, her voice is another instrument here.

The CD blends Brazillian and Irish music with jazz for a completely unique sound. My efforts to find something to compare it to fall short, but those who love innovation should try this out. Some of the songs have a childlike, playful feel to them, while others are almost a bit haunting. Creative and interesting, check this out if you are looking for something fresh and different.

Catherine L. Tully specializes in writing about the arts, lifestyle and travel. She is the Owner of 4dancers, a blog for those who love dance, and Editor for Freelance-Zone, an award-winning site for freelance writers. Catherine also reviews music for Celtic MP3s Music Magazine.

Review: “Celtic Enchantment” by Birch Creek

Artist:  Birch Creek
Album:   Celtic Enchantment

Embark on a journey in sound toward the essence of unsung beauty.  Led by “The Chanter”, an ancient Celtic otherworld is conjured in a rhapsody of melded musicianship deliberate as the “Broken Mist”, eloquent as “Star of the County Down” and heart-wrenching as ”Marble Halls”.

In addition to original works by acoustic guitarist/keyboardist Brian Horton’s mentor Al Petteway, instrumental Celtic aires, jigs and reels are rendered works of art with a contemporary twist.   Multi-talented Horton is a driving force where Sandra Lynn perfects the Appalachian dulcimer, Alex Miglowiec shines on flute & piccolo, Kevin Gallagher showcases bass & mandolin, Linda Umstead graces the Celtic harp and Arlene DeMaris’ fiddle skills are in a word – haunting.

This CD is an open book of storytelling without words.  Sean Fox’s Uilleann pipes forge “The Dragon’s Breath” and “Song of the Water Kelpie” evokes imagery of chivalric Medieval pageantry.  The time tendered “Mary Young & Fair” is an example of the patient mastery prevalent throughout this eclectic collection.  “Haste to the Wedding” quickens the pace while sacrificing not one note of quality.  With 16 song selections, there is quantity as well, and it’s all good.  ”Celtic Enchantment” is only the beginning of great things for Birch Creek.  It should only be a matter of time before there are blockbuster fantasy soundtracks in this band’s future.

Dionne Charlet is a freelance writer based in Greater New Orleans. She is a contributing writer for Where Y’at Magazine and reviews music for Marc Gunn’s Celtic MP3s Music Magazine.  Dionne runs the Cast Aways Open Theatre Troupe and performs with her fellow Cast Aways volunteers at Ren faires, sci-fi cons, charity venues and festivals throughout the Gulf Coast and beyond.  Mrs. Charlet also works as an Outreach Coordinator for the Humane Society of Louisiana.  You can contact Dionne at SHIATARA@AOL.com.

Review: “Another Last Call” by Doug Folkins

Artist: Doug Folkins
Album: Another Last Call

Doug Folkins has carved out a nice niche for himself, blending a style that is clearly American with other flavors, such as pop, country and Celtic. Country meets Celtic? Yeah…something like that, but those that usually shy away from a “country vibe” may still want to check this CD out, as there is enough going on there to be interesting, and you can’t set it squarely in the country genre. Catchy beats and rhythms are almost pop in nature, without being over the top.

Songs like “Park the Car” and “Pour Me Another” will please Celtic music fans, and tunes like “Calico Girl” are very catchy. “Black Velvet Band also makes an appearance at the end of the CD, rounding things out nicely. What could be a crisis of style instead manages to be a sensible blending that seems very natural. Folkins obviously loves the styles of music that he mixes, because it is done seamlessly. The entire album has a nice flow to it, and it is just so easy to listen to. A definite “kick back and put your heels up” CD.

Thoughtful lyrics and high-energy combine to give “Another Last Call” just the right mood, and Folkins has created a nice grouping of songs here that melt together nicely. Those looking for something light and fun should check this guy out.

Catherine L. Tully specializes in writing about the arts, lifestyle and travel. She is the Owner of 4dancers, a blog for those who love dance, and Editor for Freelance-Zone, an award-winning site for freelance writers. Catherine also reviews music for Celtic MP3s Music Magazine.

Review: “Shades Of Music” by Crépuscule

Artist: Crépuscule
Album: Shades of Music

If you love traditional Scottish music, this is a must-have CD. Crépuscule gives a variety of songs on this album, all delivered with polish and poise. You’ll hear some wonderful arrangements where the instruments are truly allowed to shine–and the players definitely know how to put forth their best as well. Some tracks focus in more on the tune while others are vocal-oriented, so there is something here for every taste.

Listen for the usual–the bagpipes, fiddle and harp; but expertly played. You will also hear the cittern, guitar and percussion instruments here. The Canadian band has a core of three able musicians, but you may hear guest performers as well. There are quite a few sets on the CD, and each with a slightly different flavor. I really enjoyed “Devil in the Kitchen Set”, “The Oyster Wife’s Rant Set” and the “Mrs. Lyall Set”, but you’ll get no complaints from me about the others.

Those who favor traditional music of the Scottish Highlands and Lowlands will find it here, along with musicians that are more than capable of delivering it with style and ability. A good CD.

Catherine L. Tully specializes in writing about the arts, lifestyle and travel. She is the Owner of 4dancers, a blog for those who love dance, and Editor for Freelance-Zone, an award-winning site for freelance writers. Catherine also reviews music for Celtic MP3s Music Magazine.

Review: “Evolution” by Jiggernaut

Artist: Jiggernaut
Album: Evolution
Year: 2004

As random as the discovery of a four-leaf clover in a field of threes, “Evolution” is a treasured find worthy of pressing into the plastic pages of your CD folder. There whenever you crave an indulgent soundbite, this perpetual track list offers twelve selections, each as different as Irish creme from Pop Rocks.

Traditional, modern, male singer Wolf Loescher, female singer Deanna Smith Scotland (of Texas), Highland bagpipes, electric bouzouki, flute, moxy and prayer, there’s a song highlighting each. Eclectic to the very core, Jiggernaut’s second album is sequel-bent on originality.

It all starts out a little bit country, with “The Shepard Lad” willed into being by the resonating vocals of Scotland (Deanna that is). Next, “Mi Amigo Pagará” is bagpipes thrown over the top of a waterfall of accompaniment, all-night hootenanny style. This is the kind of music your Scottish grandmother listens to…when she’s wearing her suede-fringed kilt and sporting a pink Mohawk. Feel no guilt, have fun and revel in “Sofia to St. Andrew”, where the instrumental fusion is a jazzed pilgrimage toward a new religion in Celtic meditation.

“Thousands are sailing” is the end track launched by the voice of Loescher, which surfs the line between folk ballad and dance jig to the very edge. A wild romp through the shillelaghs for sure, this mix is the stuff of band legends.

Dionne Charlet is a freelance writer based in Greater New Orleans. She is a contributing writer for Where Y’at Magazine and reviews music for Marc Gunn’s Celtic MP3s Music Magazine. Dionne runs the Cast Aways Open Theatre Troupe and performs with her fellow Cast Aways volunteers at Ren faires, sci-fi cons, charity venues and festivals throughout the Gulf Coast and beyond. Mrs. Charlet also works as an Outreach Coordinator for the Humane Society of Louisiana. You can contact Dionne at SHIATARA@AOL.com.

Crannogs

From the Celtic History Newsletter:

Crannogs are usually artificial “islands” that were constructed mainly in lakes, but on occasion in rivers. The name may derive from the Irish word for tree “crann” and may have referred to the timber palisades that protected such sites, or the timber foundations on which they were built. In Ireland most of the crannogs have been found in the north midlands and south Ulster, but the term is also used in Scotland where similar sites have been found. Crannogs have even been found on some of the islands of in the Inner Hebrides. They probably developed from the practice of living on small natural islands where it was convenient for fishing and hunting water fowl, as well as providing protection in times of danger.

The first efforts to identify and study crannogs began in the 19th century as drainage operations in wetlands exposed some of the early finds. They seem to cover a wide time frame. Although most seem to be from the Medieval era, some artifacts have been found associated with Crannogs as far back as  Mesolithic times, suggesting some had been dwelling places for quite some time. Some Scottish crannogs seem to have been used as late as the 17th century.

The earliest, prehistoric crannogs seem to have been associated more as temporary, or seasonal lodgings for fishing or hunting as opposed to long-term dwellings. These were platforms erected in shallow water and the edges of lakes or marshes. Most true crannogs, consisting of artificial islands, were mostly constructed during the Medieval period and could include a building surrounded by one or more palisades -Possibly the wetlands equivalent to contemporary ring-forts. Tree-ring dating of the surviving timbers (dendrochronology) dates the major phase of building of Irish crannogs as being from the 6th to 7th centuries A.D.

There are two basic types of crannogs. One had a solid base and was literally an island, (some could have been man-made expansions on existing tiny “islands” or rocks near the shore). the other is a type of raised structure, in the form of a stilt house or large dock. This later type stood above the water and was substantially taller.

Once a proper location was found construction of a prehistoric crannog began with a circle of oak pilings with sharpened bases that were driven into the bottom, creating a circle about 200 ft. in diameter. The piles were lashed or woven together with branches and wattle. Then, the interior surface was built to rise above the water, using first wooden logs, then with branches and rocks, clay, peat, and other earthen materials. At the center, a large stone hearth would be built with large flat stones, and wooden home was constructed around it. The largest crannogs could contain several homes or structures. Access to the shore was by boat or sometimes a stone, or timber causeway.

Excavation of crannogs has been an important resource for archaeologists since the cold and water-logged conditions can help preserve wood, seeds and plant fibers that would not survive in drier locations.

This month BBC Alba TV has a six-part series on the archeology of Scotland which will include “reconstructing an Iron Age crannog based on underwater research and using the methods people would have employed 2000 years ago.” http://www.4rfv.co.uk/industrynews.asp?id=109242

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If you enjoy our newsletter, please support it by visiting out our online stores, or seek us out at the events listed on our websites. The Celtic Croft & MacGregor Historic Games

And if you like Irish music, check out the Brobdingnagian Bards new CD, The Holy Grail of Irish Drinking Songs, Marc Gunn’s CD Happy Songs of Death, or Victims of Irish Music. And if you’re ready for more St. Patrick’s Day music, check the link.

Review: “Unstoppable” by Tartanic


Artist: Tartanic
Album: Unstoppable
Year: 2007

Looking back at this 2007 release, the kilted wonders’ avarice to step out of the box and onto the “Oh no, they di-in’t!” stage is recorded machismo. You’ll find lots of male enhancements, including Scotsmen reciting poetry, didgeridoos and steel drums, but the meat of this CD is those Tartanic-tastic bagpipes, plugged in.

Manipulation of bagpipe sound is quintessential here, with delay and distortion. Great Highland bagpipes are run through a Leslie cabinet in “The Bonnie Johnson”, which starts out with an a capella teaser of “The Humours of Whiskey”. Drum sets the rocket pace, and it’s not hard to imagine phallic cymbals.

An epically distorted sound adventure in Scottish rebellion happens with “Amazing Grace” (Hendrix Mix). The pipes collaboration at 1:51 is an eloquent riot of pure soul. The “Spanking the Puritan” medley in multi-pipe harmonics with a drum roll is what Tartanic is all about: rousing. Great Highland pipes in the hands of Mike McNutt, Andrew Beck and David Duncan are enough to make any brave heart scream FREEEDOOMMMMMM! from the backseat on a road trip to the highland games.

Dionne Charlet is a freelance writer based in Greater New Orleans. She is a contributing writer for Where Y’at Magazine and reviews music for Marc Gunn’s Celtic MP3s Music Magazine. Dionne runs the Cast Aways Open Theatre Troupe and performs with her fellow Cast Aways volunteers at Ren faires, sci-fi cons, charity venues and festivals throughout the Gulf Coast and beyond. Mrs. Charlet also works as an Outreach Coordinator for the Humane Society of Louisiana. You can contact Dionne at SHIATARA@AOL.com.

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