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With a title like Honk Toot Suite, I had absolutely no idea what to expect from the album by Éamonn Coyne and Kris Drever. Reading Coyne is a banjo player was a bit worrying to me. A banjo is a like a signal that bluegrass is about to be perpetrated; worse yet yodeling is threatened. I do not think there is anything kind I could say about yodeling. However, on hearing it, I knew I really shouldn’t have worried. … Continue reading